Chanakya’s Chant by Ashwin Sanghi-A book review:
Chanakya's Chant-Book Review- Image courtesy Google |
I usually don’t keep
tabs on things, however, books are closer to me
than any other things. This love
affair with books started three years back and since then I
have started having my very own tiny library. Recently I touched
my one hundredth mark and to honour that thought
of reviewing the book that completed
my century. This is my first time so please bear with me and do tell me how to
improve it for future reviews to be good.
The lifestyle of mine is such
that I get forty minutes while going to the office and an hour or so while
returning back home to read a novel. So this series on book review will be slow
but worth going through, I believe.
The sun was shining bright and
the breeze was caressing my hair, which was nourished using hair protein. I
closed this book and took a sigh of relief on finishing this book, which
initially I thought was little boring. But pre-conception about anything is
really bad and we should avoid it, right?
A friend of mine recommended
this book to me as he knew I love reading books on mythology, history, politics
and economics and this book has all the crucial elements in it except
mythology. A fictional read alternating with some facts perfectly moulded to
set the context for the contemporary world.
Chanakya is deemed as the
person who was quick witted, smart, intelligent, and knowledgeable and someone
who can predict future merely based on his socio-political calculations. The
book starts with a prologue to tell that this book will alternate between the
past and the present and here the past and the present is about Indian
political system.
While one chapter depicts how
Chanakya became the best kingmaker of his era by putting Chandragupta as the
supreme commander, the king of Bharat; the second chapter dictates the story of
present India’s king maker Gangasagar a self-made man and a person who knows
where to put the bucks, who helps a girl to become the prime minister of India
and how he played along the lines of politics to do that.
The novel starts pretty slow
and after reading the first chapter I told my friend “Shit, I think I put my
money on the wrong book.” And he immediately replied, “Give some time to story
to cook and promise you will say the opposite of what you are saying right
now.” I obliged him and started reading it and marking the things which I really
liked in the book and when I closed the book I called him again,” Brother, I
love you!” and he just laughed and said, “I told you.”
The analogies given by the
author is really smooth and doesn’t look like he is unnecessarily trying to use
ornamental English. I think, he likes using synonym feature of the text editor
as some of the words used could have been replaced by simple yet effective
words.
The roles of the characters are
clearly defined and you can easily depict what the character might think when
his cue comes. The switching between chapters are super silky and the concept
you will learn from Chanakya will be seen been implemented by Gangasagar in
real life in the contemporary world. The relationships between the characters
are shown clearly and you don’t have to turn back even a single page to
understand the context or remember how the story was coming up when you left it
in between to do your chores.
For the reader like me who
can’t afford a single go to a novel, it’s a perfect read, though it felt little
less engrossing sometimes and yes, a book which has the capability to be
adapted as a movie in coming future.
Rating time:
Disclaimer- The rating is based
on my personal thinking and can vary person to person. The points taken
consideration for this novel are specific to this novel and will change
according to the novel reviewed.
Stylistic invention means the
way the narrative has been written and the innovation brought into structure
sentences and paragraphs. Craftsmanship depicts the natural flow of the words
and dialogues and the when reading aloud the dialogue sounds credible and
expressional. Characters can be round drawn or can be skilfully drawn having a
real life of their own- Dress, style, speech, beliefs, social situation,
sexuality, age, gender, wealth and other socioeconomic factors. Credible
dialogues mean whether the dialogues can be used directly in the movie and
won’t lose their lustre upon usage.
Plot and narrative stamina: 3
Stylistic Invention: 2
Craftsmanship: 3
Characters: 3
Credible Dialogue: 4
Overall: 3
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